colours!

Some morning colour inspiration

The mornings are when I exercise. I have to stop myself from taking pictures every 5 minutes because the colours are simply breathtaking. Here are two pictures I took on my morning runs at the beach. 

Krantzkloof Colours

Krantzkloof Colours 

Here are Some Pictures taken at Kranzkloof Nature Reserve in Kloof. I found these colour combinations really interesting. 

Hidden Details

When designing this pendant I first looked at one of my favourite books as a child, Lady Cottington's Pressed Fairy Book.  I was (and probably still am) obsessed with fairies and pixies and anything mystical, and this book contained it all. What I love most about this particular book is that the fairies aren’t the stereotypical ones you usually picture; they are distorted, vulgar and almost a little bit ugly. But it’s these details that make them beautiful in a different way.
 I wanted to combine the look and feel of its rough beauty and sense of hidden, secret details into a pendant that one day could be passed on as an heirloom. I wanted it to be a piece of jewellery that could be something that I passed on to my children one day. It was to be a piece that represented a happy memory from my childhood that would give them, or whoever wore it, the same sense of happiness and bliss that Lady Cottingtons diary gave me as a child.  

This is one of the images from the book and one of my favourite. I used this image to get my general shape for the wing shape of my pendant. Like I stated before, these Fairies are not perfect or pretty in the usual way, but its their imperfections that give them their beauty.

I played around with texturing metal in order to try get the feel of a broken wing that was both delicate and beautiful but that also had a rough, "squashed" feel about it. After trying a few different techniques, this is the one that i liked the most. I used a combination of roll milling (to get the veins)  and folding the metal and then rolling it flat to get the ridges. I eventually used a section of this piece of metal in my final design.

I wanted a layered pendant that at first glance looked like a locket and when it was opened or swiveled, revealed the wing and the bottom patterned plate. this was my prototype. After more thought I realized that it needed to much smaller so made a smaller one that made it feel much more delicate and fairy like.

Playing with Pattern 

After choosing my Shweshwe material, I played with pattern and took elements from the fabric and made my own designs. From these designs I isolated an element that I thought would translate well in a piece of jewellery. From this element I create 2D and 3D versions out of clay in order to play around with arrangement, repetition and layering. 

These are the ones that I felt were the most successful.

This is the drawing/doodle that I chose to create my single element from. 

I think that this arrangement works well because of the different heights and how it is almost the start of a mandala. It reminds me a lot of the doodles that I experimented with when exploring the Shweshwe patterns. 

I like the way that this arrangement comes together so well with the combination of the 2D and 3D elements. I think it works well and creates an attractive shape that Id like to explore further. 

What I like most about this arrangement is the negative space that it creates. I think that there is potential for the exploration of this negative space in the form of a new element created from it. 

Designing the Pendant 

In order to design my pendant I looked at images of tattoos both on the women from the circus and flash cards of traditional tattoos. I was torn between creating a design that either represented the tattoos literally, and a design that used different elements of pattern and motifs and that stood as a figurative visual representation.

Pictured below are some of the images that I explored and some of the drawings that I did in response to them.

I particularly was drawn to the floral tattoos as tattoos are usually masculine and these tattoos brought another aspect to them entirely. 

I then came across this image which brought all my designing together and is where I found my inspiration for my final design. 

A Night at the Circus

At the moment I am busy designing a pendant which is inspired by the circus and which utilises the technique of cannetille. 

The circus's of the 1880's (and for a few decades) had side shows which show cased "freaks" and unusual people, as well as tattooed woman, which I have chosen to use as my inspiration. 

Their entire bodies were covered in intricate traditional tattoos. People found this fascinating. Not only were tattoos uncommon (even more so on women) but in this very conservative time, seeing woman baring flesh was risky and controversial. 

I love these images because they show how people, and in particular woman, have always tried to challenge society and their views of how we should look and how only certain people can do certain things. I think these women were very brave for doing what they did. 

I also particularly love the intricacy and immense detail that their tattoos had. 

My aim is to make a beautiful piece of jewellery which brings one of these intricate tattoos to life.

   

A poster for a Circus side show attraction, La Bella Angora.
This image was found on a blog, which doesn't have much information. This site, however,  has more information about the history of these side shows.
  

After looking at many different traditional tattoos, I chose this one as my main reference and my point of departure to start designing my pendant.