Hoops

Hoop two

These earrings are a prototype for a range of earrings I am designing/ working on. They are a little more bold than the previous hoops. In the future the copper element will be an enameled element. 

Sterling silver hoop earring with copper detail 

Hoops!

Exploring the hoop 

While designing for anglo plat, I started designing hoops and I want to carry on exploring this style of earrings. there is so much room for experimentation. 

These are a variation of my AngloPlat earrings

Sterling silver hoops with a textured detail 

Sterling silver hoops with a textured detail

Anglo Plat designing

Anglo Platinum Earring Designs 

The theme for this years anglo plat competition is Bold minimalism. 

I have decided to make statement earrings which use simple minimalist lines combined with contrasting textured metal. 

Here are some process photos.

Using paper to visualise where the textured plate is going and how I'm going to attach it.

Natures Bangle

Natures Bangle 

I made this Pieces as i was starting to feel stuck with the enamels, so i thought id do a quick project to get into the swing of things again.

I melted a piece of copper directly onto my soldering board and it created a very rough look, like a little rock. i then added some green, mossy looking enamel. 

The end result looks like a little mossy stone on a crisp polished silver band. 

Mixed Materials

Mixed Materials

I have chosen to first look at Mixed Materials in jewellery. The main reason I have done so is to explore colour in jewellery to a greater extent. I believe that by using mixed materials in my jewellery that it’ll be a “greater revelling in colour and freedom of expression in jewellery.”*. There is so much to be explored when it comes to colour in jewellery and this excites me as the possibilities are endless.

 As a starting point, I want to play and experiment with enameling. I want to discover beautiful colour combinations inspired by nature and specifically by the ocean and its close surrounds.

The following pictures were taken in Pringle Bay in the Western Cape and are some examples of colour combination inspiration.

I want to combine the colours created through different methods, with the crispness of sterling silver. I have already started experimenting with enameling. Id like to achieve two things with enamels:

       

                    1)      Achieve a finish/ look that resembles the raw, natural organic look of, for example the dirtiness of the orange on the rocks and the roughness of the ferns green leaves, as in the picture above.

2)      Use clean colours and use pencil to draw plats, rocks, waves on the enamel

The following jewellers have achieved these two desired looks:  

Maria Irene Weinz - ocean inspired rough enamels

Nicolette Absil- botanical drawings on enamel 

“showing an awareness, as other jewellers increasingly have, of the need to satisfy a range of senses. Kessler writes “I search for a kind of mystery within the material and I try to tempt people to come closer and touch the object. First they touch it with their eyes, even with their hands – until  it finally touches their hearts.”* this quote is explains exactly what i want to achieve with this range. I want people to want to touch my jewellery, pick it up and feel like they are discovering something new and beautiful, just like you do when exploring at the beach or in nature in general. 

*quotes taken directly from the Virtual Gallery: Mixed Materials 

Hidden Details

When designing this pendant I first looked at one of my favourite books as a child, Lady Cottington's Pressed Fairy Book.  I was (and probably still am) obsessed with fairies and pixies and anything mystical, and this book contained it all. What I love most about this particular book is that the fairies aren’t the stereotypical ones you usually picture; they are distorted, vulgar and almost a little bit ugly. But it’s these details that make them beautiful in a different way.
 I wanted to combine the look and feel of its rough beauty and sense of hidden, secret details into a pendant that one day could be passed on as an heirloom. I wanted it to be a piece of jewellery that could be something that I passed on to my children one day. It was to be a piece that represented a happy memory from my childhood that would give them, or whoever wore it, the same sense of happiness and bliss that Lady Cottingtons diary gave me as a child.  

This is one of the images from the book and one of my favourite. I used this image to get my general shape for the wing shape of my pendant. Like I stated before, these Fairies are not perfect or pretty in the usual way, but its their imperfections that give them their beauty.

I played around with texturing metal in order to try get the feel of a broken wing that was both delicate and beautiful but that also had a rough, "squashed" feel about it. After trying a few different techniques, this is the one that i liked the most. I used a combination of roll milling (to get the veins)  and folding the metal and then rolling it flat to get the ridges. I eventually used a section of this piece of metal in my final design.

I wanted a layered pendant that at first glance looked like a locket and when it was opened or swiveled, revealed the wing and the bottom patterned plate. this was my prototype. After more thought I realized that it needed to much smaller so made a smaller one that made it feel much more delicate and fairy like.

Tattoo Queen

 Using the circus, and specifically the tattooed women of the side shows, I designed this pendent which I have named Tattoo Queen. 

This pendant was a fun one to design and I thoroughly enjoyed exploring the different aspects of the circus and being exposed to all is magic and powerful imagery. I was drawn to the tattooed ladies as tattoos are now such a popular and common thing, and I like to think that they were the starting point in making them less of a taboo subject. I don't have a tattoo, but do plan on getting one in the future and these ladies have inspired me to be even bolder with my decisions in this regard. 

While I enjoyed the design process, the manufacturing was a bit more challenging. This is the most intricate piece of jewellery that I have made with the most details and layers. This, coupled with the fact that I generally battle with soldering, meant that the manufacturing process was very difficult for me. But it did give me the practice that I need and has made me a little more confident with soldering delicate pieces.

Overall I really enjoyed this project and am proud of the piece that I have made.

Tattoo Queen
Sterling Silver 

Manufacturing the Pendant 

 Because the design I had decided on was very organic, most of the final design decisions were made during the manufacturing process.

Pictured below are some images of the individual pieces that I made that would eventually be put together to form the pendant. 

More About Hannah Bedford 

Hannah Bedford creates beautiful bespoke pieces of jewellery which utilize the traditional method of granulation. Bedford draws inspiration from the natural pattern that she observes in nature. Beford graduated from Birmingham School of Jewellery in 2004 and since has had her jewellery exhibited both nationally (UK) and internationally.

 I especially like her work and  love the balance between its organic nature and its traditional look. Another aspect of her work that appeals to me is how she uses the granulation to create unique settings. Bedford also uses different metals together as well as oxidization in order to create contrast and to enhance the texture of the granulation even more.

Pictured below are two of my favourite pieces from Bedfords collection.

Graunule ring - oxidised 

Granule ring with a scattering of 18ct yellow granules

Diamond ring set 
Cluster diamond ring with crown wedding band, set with diamonds in 18ct white and yellow gold

Berry necklace
 Silver necklace, comprised of granulated discs of fine silver granules

£500